Pol Pot's Beautiful Daughter Page 5
All the photographs have names written on them in old-fashioned handwriting.
On the table is a printout of thousands of names on slips of paper. Next to the table are matches and basins of ash and water. The implication is plain. Burn the names and transfer merit to the unmourned dead.
Next to that is a small printed sign that says in English HELLO.
Every Pchum Ben, those names are delivered to temples throughout the city. Gold foil is pressed onto each slip of paper, and attached to it is a parcel of sticky rice. At 8 a.m. food is delivered for the monks, steaming rice and fish, along with bolts of new cloth. At 10 a.m. more food is delivered, for the disabled and the poor.
And most mornings a beautiful daughter of Cambodia is seen walking beside the confluence of the Tonl Sap and Mekong rivers. Like Cambodia, she plainly loves all things modern. She dresses in the latest fashion. Cambodian R amp;B whispers in her ear. She pauses in front of each new waterfront construction whether built by improvised scaffolding or erected with cranes. She buys noodles from the grumpy vendors with their tiny stoves. She carries a book or sits on the low marble wall to write letters and look at the boats, the monsoon clouds, and the dop-dops. She talks to the reflected sunlight on the river and calls it Father.
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